PAN-SLAV THEORY A FICTION STORY (VIIIa) – The East Roman Legacy in Folk Life and Tradition in the Balkans


(BEING CONTINUED FROM  6/03/2015)

1. INTRODUCTION
The general theme, which our symposiarch has set for us, has two very broad characteristics, which I should wish to underline at the onset. It is, first, of epic proportions. Geographically it stretches from the Mediterranean Sea to the Sea of Archangel, from Belgrade to Vladivostok. The second characteristic is that our ideas about this period and world are vague; diffuse at best, almost non-existent at worst. In contrast to the Islamic and Western medieval traditions, which suffered no truncation of political institutional life and development, the Byzantine tradition was politically decapitated by the victorious armies of the sultan Mehmed II, that military and political genius who replaced the Byzantine imperial tradition with that of the Islamic world. Given the fact that history and historians, until relatively recently, had as their almost exclusive concern the study of political history with its dates, significant battles, institutional and legal forms, it was natural, historiographically, that the very idea of an afterlife in the history of Byzantine civilization should be only vaguely understood. This is of course an oversimplification. Two older scholars from the past generation of nationalist Balkan historians-philologists had charted two paths into the ongoing rhythms and lives of the Byzantine tradition during the period that is the focal center of our conference. Nicholas Iorga, in his imaginatively titled book, Byzance après Byzance, had seized upon the pale political and ideological survival of Byzantine political theory and institutions in the Phanariots and in the milieu of the princes of the Rumanian principalities. Phaedon Koukoules, in his monumental Vyzantinon vios kai politismos, in six volumes of accumulated data, the variety and chronological spread of which remains prodigious, focussed upon the popular life and culture of the Byzantine empire and in so doing traced the origins of these popular cultural institutions and practices in the period of Graeco-Roman antiquity and then into the post Byzantine period, i.e. during the Turkokratia and modern times.(1) It is the task of some of the papers in the present conference to follow the path of Iorga, that is to say, to map out what, if any, are the evidences for the nachleben of the Byzantine political tradition. My task, as assigned to me by the symposiarch, is to follow in the second path and to attempt to say something meaningful about the Byzantine after – life on the level of the popular culture of the Balkan peoples.
I have written, in the past, in rather great detail as to the effect of the Ottoman conquest and rule on the institutions and life of the Balkan and Anatolian peoples and so I shall not go into any great detail as to these effects.(2) It will, however, be necessary to remark on three aspects of this subject, aspects which will serve as the broader background for my specific remarks as regards the Byzantine legacy in the popular traditions of the various Balkan peoples. I wish, first, to underline the generally conservative character of the Ottoman conquests in the Balkans. They were, by comparison with the centuries of long warfare and conquests in Anatolia, relatively quick, with destruction it is true but of a limited and controlled character, with no massive nomadic settlements on the scale that Anatolia saw. Finally they were carried out by one, well-organized political entity, which enjoyed a considerable centralization of political and military authority. Second, these conquests destroyed the political dynasties and aristocratic structures of the Greeks, Bulgars, Serbs, and Albanians, and took control of the economic, demographic, and fiscal resources of this vast area. Thus the kingpins, i.e. the patrons and artistic executors of the formal culture of the various Balkan peoples disappeared and this formal culture atrophied. But the peasant masses remained in place, in their centuries old economic occupations as farmers and shepherds, with their old religious and cultural institutions. These cultural institutions, which survived, and which I characterize as popular culture, had both elements that were common to the various Balkan peoples as well as local and ethnic variety.
Many folklorists who have studied the various folk cultures of Greeks, Bulgars, Roumanians, Serbs, and Albanians, and to a lesser degree of Turks; have assumed a dynamic theory of culture, that is they see popular culture as a phenomenon, which has a vertical and horizontal structure. The horizontal structure consists of well defined layers of popular culture, often chronologically and politically separable the one from the other. The vertical structure consists of the historical processes, which posit one layer atop another and during which processes the new, and the old interact, producing elements of both continuity and change. This approach has been very useful and has led to a significant gain in our understanding of the history, cultures and ethnogenesis of the various peoples that inhabit the present day Balkans. It allows for the maximum number of possibilities in explaining cultural phenomena and historical developments in an area as complex as that of the Balkans. It also represents a shift of historical and scholarly interests from the narrowly prescribed and circumscribed circles of diplomatic, political history and so represents a vast enrichment of our historical understanding of the Balkan peoples, their past and present.
Further, at almost all times, at least since the fourth century B.C. the various peoples inhabiting the Balkan peninsula have been subject not only to the internal dynamic or genius of their own immediate cultures, but also to the interaction of these latter with the unifying cultures and political forces of imperial peoples and structures: first, those of Philip and Alexander the Great, then those of the Roman and Byzantine Empires, and finally by the forces of the Ottoman Empire. Also, to this latter category of outside unifying imperial forces one should add the impact of the West. In each era of imperial rule one sees an internal adjustment of the local cultural traditions to the unifying forces of these centralizing political institutions. In the Graeco-Roman, early Byzantine period it was reflected in the massive-Romanization and Hellenization of the local Balkan tongues, as well as by the spread of an urban and rural economic system which imposed uniform institutions on large areas and masses of people. At the same time, however, there is every reason to suspect that local varieties survived these unifying forces, though it is very difficult to trace them for this early period. Under Byzantine influence Christianity spread and added a most important layer, a significant horizontal layer, in the cultural life of the Balkan peoples. The local varieties in the popular cultures had once more to accommodate themselves, this time to Christianity, and Christianity, conversely, had to accommodate itself to the local cultures. The same can be said of Ottoman rule, though its effect was more limited to the negative aspects of political effects. Thus, in the specific remarks that are to follow I wish to make observations about particular cultural phenomena, which can best be understood against the background of this crude and rapidly sketched theoretical structure. For, when we talk about the Byzantine legacy we are talking about a legacy with a complex and long historical past. The Byzantine legacy is not only those elements, which in the popular culture of the Balkan peoples can be pointed to as a purely Byzantine creation, i.e. the monastic and hagiolatric aspect of religious life. It also includes those cultural legacies, which were absorbed into the popular culture of the Byzantine period from pre-Christian times and cultural life, such as incubation, animal sacrifice, and the seasonal calendar. These latter were absorbed by Christianity because they were a vital force in the life of the inhabitants of the peninsula, and were functional. Thus, when speaking of the Byzantine legacy we include not only those things, which were purely and originally Byzantine in creation, such as formal Christianity, but also all the pagan elements, which Christianity absorbed as it evolved into a universal religion and as it penetrated the life of the rural areas. We come back again to the theory of cultural evolution as consisting of chronological layers of culture related to one another and interacting with one another through the process of time and under the impact of political, demographic, and technological movements.
In surveying the Byzantine legacy in the folk life and tradition of the Balkans, I shall attempt to illustrate the nature of this phenomenon by touching, very briefly, for I can do no more than that, on six separate topics: Constantinople-Istanbul; religion; man’s relation to human life and to the unknown; the agricultural and pastoral cycles and calendars; the panegyris; and finally, the legend of Alexander the Great. By looking, ever so briefly it is true, at each one of these disparate topics we shall begin to understand the nature and complexity of the popular culture of the Balkan peoples during the long period of Turkish rule, and in part thereafter.

2. Constantinople-Istanbul
That the Ottoman conquest of Constantinople on May 29, 1453 constitutes a major landmark in the history of the eastern Mediterranean is of course such a well known commonality of history that its mention occasions no surprise. Yet, that which is of interest to us here is whether or not its long pre-existence as the center of Greek and Christian culture and politics had any effect on the nature of the new city, Ottoman Istanbul, which replaced the Greek Christian city of Constantinople.(3)
The Ottoman conquest of the city was a brutal and bloody event in which the Ottoman sultan turned the city over, by sultanic decree, to a three day pillaging and sack (yagma) by his victorious troops. The destruction was most extensive and when, after the three days of sacking, it terminated and Mehmed inspected the ravished city, he found it completely uninhabited.(4) The 60,000 Byzantines who had survived the killing were all taken out of the city as the slaves of the victorious troops. Many, though not all, of the buildings, particularly churches, were sacked and abandoned. Mehmed immediately turned to the rebuilding and settling of the city with sürgüns after deciding to make of it the capital city of the Ottoman empire and his official residence. The new city which was built, over the next century, soon reached splendid and magnificent proportions, both in terms of the numbers of the population and of the newly built mosques, bazaars, palaces and other official buildings.(5)
Was there, then, anything of the past that survived in Ottoman Istanbul and which would preserve memories and the culture of the past? First, it would seem that the sultan’s policy of repeopling the city included provision for the return of a portion of the original population: those who had fled the city prior to the siege, as well as those who had gone into hiding in Galatia, and finally, those of the Constantinopolitans who had been taken prisoner in the final capture but who had been allowed to return either as a result of ransoming themselves or of being allowed to work toward the paying off of the ransom. These constituted the original Greek population that was allowed to return to Constantinople. They were given houses in the city and along with Muslim and other Christian immigrants whom the sultan brought from all over the empire, constituted the original population of Ottoman Istanbul.(6) Thus there was en element of demographic continuity, though its proportion to the total population of the new city was of course considerably diminished. The sultan also provided for the re-erection of the patriarchal institution around which the life of the Greek population of the city was to center, and he temporarily assigned the Church of the Holy Apostles as the Patriarchal church and residence. Thus at the level of living institutions, i.e. demographic and religious, there is this thread of continuity from the past, and with these two institutions, elements of both the popular and formal culture of Byzantium survived in a functioning form. We do not know a great deal about the popular and formal culture of the Greek Christians of the Ottoman Istanbul during the first century of their existence. The history of the patriarchate at this time unfolded at a much-reduced level in terms of the prestige, glory and economic resources, which it had once known. Nevertheless it presided over what little was left of the formal aspects of the culture of the Greek Christians… we know that one century after the conquest Theodore Zygomalas was ordered to draw up a catalogue of the manuscripts still in the patriarchal library, but only a portion of this catalogue, listing some 174 ms. has survived so that we do not know what its extent was.(7) The patriarchate eventually lost control of all Byzantine churches save one, the churches having passed into the hands of Muslims, were either converted into religious establishments, or into residences, or stables for animals.(8) As for the historical memories of the Greek Christians, it is difficult to know what they preserved during this early Ottoman period, what they recalled of the glorious Byzantine past of the city of Constantinople. Daily they saw the mining of the old Byzantine monuments, which were used as stone quarries for the building of the palaces, mosques and medresses of the new city, and is seems that with the disappearance of the monuments many Greeks gradually lost the memory of these monuments from the past. It is this, which we seem to imply from the complaints of the European student of the Byzantine monuments of the city in the early sixteenth century, Pierre Gyllius. In this important archaeological survey of what remained of Byzantine Constantinople, Gyllius relates that he went about the city in search of these monuments, but when he asked the Greeks of a given neighbourhood as to the identity of this or that ruined structure often they did not know. On other occasions they seemed to know the identity.(9)
Nevertheless folklore of legends and vague historical remembrances did survive and evidently came to constitute a very definite body of popular lore that survived over the centuries of Ottoman rule and into the twentieth century. The final siege and destruction of the city by the Turks was firmly fixed in the popular memory of the Greeks of Istanbul as in the memory of a large part of the Greek nation, and gave rise to a body of popular literature and lore that are well known to all students of Greek folklore. One such legend has as its subject the last liturgy performed in the great church of St. Sophia, and according to which legend the Turks’ sudden entrance into the church prevented the termination of the liturgy, the priest having disappeared into the walls of the church during the celebration of the liturgy. The great altar of St. Sophia also disappeared. According to another legend the last emperor Constantine Palaeologus did not perish in the fighting but disappeared, went into underground hiding and went into a deep sleep and/or was turned to marble, the marmaromenos vasilias. In all these tales the resolution of each individual story, i.e. the return of the priest to finish the liturgy in St. Sophia, the return of the great altar, the awakening of the last Emperor will occur at that time when God has decided that Constantinople, the empire, and St. Sophia shall all be returned to the Greeks. This will occur when God’s angel will awaken the emperor, arm him with the sword and he will remove the Turks. This is of course the folklore basis for the historical construction of the most powerful Greek ideology in the late eighteenth, throughout the nineteenth and into the twentieth centuries: the Megale Idhea, the reconstitution of Greek political power in Constantinople and Asia Minor.(10)
I have not studied this particular body of popular legend and belief in terms of its knowledge among Muslim Turks in the early Ottoman period. But as for the Greeks, the fall of Constantinople was a momentuous tragedy, so for the Muslim Turks it was the most felicitous occasion in their long history of conquests. The conquest is celebrated in the chronicles, in poetry, and in prose because of its glory and because of the extension of the domain of Islam. No less was it commemorated or remembered as the occasion of great enrichment. The chronicler Neshri records the popular Turkish memory of the great wealth that fell into the hands of the conquerors in 1453. He writes of the booty taken on that occasion:
“Since that time was the proverb that they say to one who is wealthy, ‘Did you participate in the pillaging of Istanbul’?”(11)
(Neshri, II, 705-707)
Before entering into a discussion of the passage of Byzantine folklore into Turkish we need to pause and to say a word about the fate of the Byzantine buildings of Constantinople and also of the attitude of the sultan Mehmed II to this Byzantine patrimony.
The studies on the period of Mehmed II are sufficiently detailed so that scholars have now begum to focus rather sharply on his personality and his historical actions. The Ottoman chronicles record that though he gave over the city and its inhabitants to the pillaging of his troops he retained the claim and title to all of the buildings and the walls. His first official act upon entering the city was to enter the great church of St. Sophia, to smash the altar, and to have the Friday prayer of the Islamic faith recited.(12) He thus picked it to be the central and official mosque in his empire and bestowed upon it great wealth through the waqf foundation, including, 1,428 Byzantine houses.(13) Second, he ordered the repair of the great land walls which had been breached by his cannon. Third, he eventually ordered the demolition of the Church of the Holy Apostles, for centuries the official burial place of the Byzantine emperors, and built there his own kulliyet, complete with his own turbe. Thus he appropriated buildings and sites with Byzantine traditions and functions and adapted them to his own desire and needs. Within his new palace on the Saray Burnu he brought together an important collection of Greek, Latin, Armenian, Syrian and Slavonic manuscripts. These included manuscripts of Homer, Arian’s account of the exploits of Alexander the Great, Polybios, Ptolemy’s Geography, Xenophon, Hesiod, Pindar, Diogenes Laertius, to mention the more important of the classical authors.(14) Among the Byzantine Greek texts were to be found John Cantacuzenos’ history, the Geoponica, the Old Testament, the New Testament, Zonaras, the nomocanon, hymnal and psalters, and the texts known as the Diegesis (building of St. Sophia) and the Patria Constantinoupoleos (an account of the history and monuments of Byzantine Constantinople).(15) Further, it has been established that Mehmed was an avid collector of Christian relics, to which he attributed religious efficacy.(16)
In his reign he had Persian and Turkish translations made of a popular reworked Greek version of the Diegesis, the Byzantine text that describes the history of the building of the great church of St. Sophia. The Persian text was executed 28 years after the capture of Constantinople by the devish Shemseddin. Indeed, not only do we know from the catalogue of the Greek and other non-Muslim, manuscripts of the palace library of Muhammed that he had in his library the Greek texts on the history of St. Sophia and of the monuments and the city of Byzantine Constantinople. We are told, further, that he had a great interest in the history of the city, which he was transforming into an Islamic world capital. The texts and knowledge, which were recorded in or rather translated into Turkish and Persian in his reign, were based on popular Greek lore that had been written down in Byzantine times. Their passage into Persian and Ottoman Turkish constitute an interesting phenomenon. They testify not only to the survival of Greek popular lore about the great city and its monuments and thus its passage into Islamic knowledge. They represent also the transformation of what was a popular body of folklore in the Greek milieu, into a formal and learned tradition in the Islamic milieu. Thus the Greek legends and lore were transformed from something appertaining to popular culture in one society into something appertaining to formal literary culture in the second society.
But this passage occurred also at the level of popular Turkish culture and folklore. And here we come back to both the Byzantine monuments that the Ottomans found still standing at the time of the conquest, but also to the body of Greek folklore which survived among the Ottoman Greek population of Istanbul, and which had as its unifying theme the reversal of political fortunes which would once more bring Constantinople into the hands of the Greeks. This has to do with the lore, in Turkish, of the kizil elma, the red or the golden apple. In Turkish lore it became associated with supreme political power and sovereignty, and the kizil elma (this symbol of power) changed its location, moving from one city to another. This Turkish legend of the kizil elma, seems, so far as I have been able to ascertain, to go back to an old and rich Byzantine legend that was associated with the famous equestrian statue of Justinian the Great in the Augusteum just near the entrance to the great palace. This statue is described by Procopius as presenting Justinian seated on the horse, with the globus crucifix in his left hand and his right hand directed toward Asia. Procopius gives us the earliest, in a long series, interpretation of this monument. The globe signifies his world dominion, and his outstretched hand is intended to halt the nations of the east (Persia at that time) from advancing. The globus, which symbolized world dominion, eventually fell from the hands of Justinian’s statue in the fourteenth century and its fall was interpreted as signifying that political dominion would pass from the hands of the Greeks to the hands of the Turks. The globus came to be called the golden apple and eventually it passed into the hands of the Turks. Thus for the Turks the golden apple, kizil elma, was the symbol of political sovereignty. In modern Greek folklore the golden apple tree, kokine melia, came to be associated with the origins of the Turks, and with the tradition of chasing the Turks back to their place or origin.(17)
In all of this lore centring about the golden apple it is of interest to look at one of the Persian versions-translation of the Diegesis on the construction of St. Sophia. It records elements that are missing from the extant Greek text. It attributes to Justinian a conversation purportedly addressed to his successor Justin prior to his death, instructing him to erect a bronze equestrian statue to himself.
“…When you have consigned my body to the earth you shall erect an equestrian statue of myself, gilded in copper. In my hand I shall hold an apple (according to version B; a ball according to the other version) and I shall hold the other hand open so that those who gaze on me shall realize that I ruled over a quarter of the inhabited world in the very same manner that I hold the apple (ball) in my palm”.(18)
What is of further interest to note is that this great statue of Justinian was one of the relatively small number of classical and Byzantine statues to have survived into the fifteenth century and beyond into the period of Ottoman rule. It was, for some years, a prominent landmark in the landscape of early Ottoman Istanbul, and thus the Ottomans had not only the Turkish and Persian translations from the Greek recording the meaning of the “golden apple” held in the hand of Justinian, but they had a view of the statue itself until it was toppled from atop its column by lightning in the latter part of the fifteenth century. It was finally melted down for the casting of cannon in the Ottoman ordinance where the European observer Pierre Gyllius saw it and measured its leg, nose, and the horse’s legs and hoofs, all that remained of this Byzantine wonder.(19)
Coming back to the city of Constantinople and Istanbul we thus see the Byzantine legacy in the folklore of both Turks and Greeks during the Ottoman period. This folklore, in the hands of the Muslim Turks, was often given a twist, which would allow its incorporation more readily into the body of Islamic folklore. Such an example emerges again from the Persian translation of the Greek text on the building of St. Sophia and on the wonders of Byzantine Constantinople.
“It is related that during the night when Muhammad was born, several churches and statues of idols crumbled… At that same time half of the dome of Saint Sophia fell…”(20)

 

Speros Vryonis,Jr.

Notes
1. Ν. Iorga, Byzance après Byzance (Bucharest, 1935; reprind Bucharest, 1971). Ρ. Koukoules, Byzantion vios kai politismos (Athens, (948-1952), I-IV.
2. S.Vryonis, The Decline of Medieval Hellenism in Asia Minor and the Process of Islamization from the Eleventh through the Fifteenth Century ( Berkeley, 1971). Also in Studies on Byzantium, Seljuks and Ottomans. Reprinted Studies (Malibu, 1981), see the following studies: “Religious Changes and Patterns in the Balkans, l4th-l6th Centuries;” “The Byzantine Legacy and Ottoman Forms;” “The Greeks under Turkish Rule”.

source  From The Byzantine Legacy in Eastern Europe, edited by Lowell Clucas, East European Monographs, Boulder,New York, 1988.

3. See the forthcoming, Vryonis “Byzantine Constantinople and Ottoman Istanbul: Evolution in a Millenial Imperial Iconography”.
4. For a martialing and detailed analysis of the copious evidence, Vryonis, “S.J. Shaw. History of the Ottoman Empire and Modern Turkey… Α Critical Αnalysis” (Thessaloniki, 1983), 215-238.
5. Η. Inalcik, “Istanbul”. ΕI.2
6. Inalcik, op, cit., 224-225.
7. Κ. Manaphes, Ai en Konstaninoupolei vivliothekai autokratorikai kai patriarchikai kai peri ton en autais cheirographon mechre tes aloseos 1453 (Athens, 1972), 148. This catalogue was published by S.R. Forster, De antiquitatibus et libris manuscriptis Constantinupoleos (1877), 10-23.
8. R. Janin, Constantinople byzantine. 2nd ed. (Paris, 1964) S. Runciman, The Great Church in Captivity (Cambridge, 1968).
9. Ρ. Gilles, The Antiquities of Constantinople, with a Description of its Situation, the Conveniences of its Port, its public Buildings, the Statuary, Sculpture, Architecture and other curiosities of that City, tr. J. Βall (London, 1729),127-Ι30, passim.
10. Vryonis, The Decline of Medieval Hellenism. 437-38.
11. Neshri tarihi, ed. F. Unat and Μ. Koymen (Ankara, 1957), ΙI, 705-707.
12. Ducas, Istoria Turco-bizantina (1341-1462), ed. V. Grecu (Bucarest, 1958), 375.

13. Inalcik, op. city., 224-225.
14. Α. Deissman, Forchungen und Funde im Serai mit einem Verzeichnis der nichtislamischen Handschriften im Topkapu Serai zu Istanbul(Berlin-Leipzig, 1933).
15. F. Tauer, “Notice sur les versions persanes de la legende de l’ edifιcation d’Aya Sofya,” Fuad Koprulu Armagani (Istanbul 1953), 487-494; “Les versions persanes de la construction d’ Aya Sofya”. Byzantinoslavica, XV (1954), 1-20.
16. J. Raby, “Mehmed the Conqueror’s Greek Scriptorium”, Dumbarton Oaks Papers, XXXVII (1983), 15-34.
17. Vryonis, The Decline of Medieval Hellenism, 436-38.
18. Tauer, “Les versions persanes…” 17.
Ι9. Ρ. Gilles, op. cit., 127-130.
20. Tauer, op. cit., 19.

(ΣΥΝΕΧΙΖΕΤΑΙ)

About sooteris kyritsis

Job title: (f)PHELLOW OF SOPHIA Profession: RESEARCHER Company: ANTHROOPISMOS Favorite quote: "ITS TIME FOR KOSMOPOLITANS(=HELLINES) TO FLY IN SPACE." Interested in: Activity Partners, Friends Fashion: Classic Humor: Friendly Places lived: EN THE HIGHLANDS OF KOSMOS THROUGH THE DARKNESS OF AMENTHE
This entry was posted in HISTORIC THEMES and tagged , , , , , , , , , . Bookmark the permalink.

Leave a Reply

Please log in using one of these methods to post your comment:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s